Dancing the Dance

And we are back. To dancing the dance.

We twirl. And pirouette. And we bow. half-shyly. As if apologetic of our skill. As if we are uncaring of how adept we have become at this dance.

In full view. We gyrate, and smile, and move our body, sometimes marvellously in tune, sometimes hopelessly trying to keep up with the beat, trying always to catch their attention.

It is a familiar kind of uneasiness, restlessness, and the hollow feeling in the pit of our stomach, the same kind we feel when we rush down from the top of a ferris wheel, plunging down at the mercy of 4 pinions and a small enclosure from 1000 feet above earth. And we like it. We thrive on it, and get all giddy and excited.

And our faces sparkle, and our eyes glitter, and we are always out of breath, and we are chirpy again, and we are bright and positive, and the world looks clean and nice and happy again. And our enemies dont seem so harsh anymore, and our friends dont seem close anymore, and nothing seems the same.

And the dance is addictive. We keep twirling around ourselves, as if trying to tie ourselves into knots, always keeping in mind that the audience should enjoy the spectacle, without making abject fools of ourselves. Some compromise between privacy and allegory is reached, as we symphonize our life's achievements into a long and intensely personal ballad.

Yes, we are dancing. As much for the other person as we are for ourselves. We dance as if our life depends on it, because who knows, this could be the last dance we have to do. We dance because the thrill of the dance envelops us all, and it allows us a suspension of disbelief. It makes us believe in coincidence, and fate, and time, and god, and karma, and attempts to make us understand how many strings are being pulled by someone else.

And we are as scared of the dance to stop, as we are of having to dance again. We worry about the dance, and all its moves are dissected threadbare, to check for any overt gestures of desperation or looking needy, and to make sure it does not look covertly cocky or pushy. No negative signals must be sent out.

And each dance is customised to the audience it is intended for. So some dances are garish, and full of color and style. Others are silent, non moving studies in composure and pain. Some dances are symbolic of their end-use, while others are a just a sham to cover the true nature of the audience. Others are an appeasement of the senses, while others are like fencing matches and shadow boxing. Some dances run for years, and years, while others end almost before they begin. But nobody tires of the dance. It is intrinsic to life, and it is intrinsic to happiness.

If we dont dance, we will never find happiness. And even if we dance, we are not sure we will find happiness. For most, it leads to a shimmering oasis of temporary madness and hedonistic pleasure. But, it is those precious few, those chosen few in the world who dance the dance, and are rewarded with a lifetime of rest. It is the ultimate goal, and the final destination for all dancers. Even if some are in love with the dance, and not the audience, they are all looking for that shimmering oasis to be the watering hole they need not leave for ever.

And the dance, even though it is public, is by invitation only. For your eyes only. And it feels good to dance the dance again.

utekkare,

Pranay